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How did William Blake achieve classic status? What aspects of his art and personality attracted and repelled critics? How was the story of his afterlife coloured by debates and developments in the British art world? Moving between visual and literary analysis, this new study considers the ways in which different audiences and communities dealt with the issue of describing and evaluating Blake's images and designs. Providing fresh insights into the nature of Victorian and Edwardian art, it ranges widely from the writings of Gilchrist, the Rossetti brothers, Ruskin, Swinburne, Symons, Yeats, Joyce, Chesterton and Fry, through to works by Ford Madox Brown, Dante Gabriel Rossetti, Walter Crane, Aubrey Beardsley, E. J. Ellis and J. T. Nettleship.
Après l'ouvrage retraçant l'évolution du dessin français au XIXe siècle (publié en 2011), cette nouvelle synthèse du même auteur, professeur à l'École du Louvre, est consacrée à l'histoire du dessin français au XVIIe siècle, une ...
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As they had during the Renaissance, ruins in the eighteenth century continued to serve as places of exchange between antiquity and modern times and between one architect and another. Rome functioned as a cultural entrepôt, ...
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Deuxième volume du catalogue des dessins réunis par le collectionneur genevois Jean Bonna, cet ouvrage regroupe quelque soixante-dix feuilles d'artistes originaires d'Allemagne, des Flandres, de Hollande et de Suisse. Certaines de ces pages ont été ...
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Accompanying an exhibition that examines the figure drawings of the young Albrecht Dürer, this catalogue focuses on his formative years from around 1490, when he completed his artistic training, to 1496, when he established himself ...
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Over the course of the 18th century a great number of artists, ranging from established painters and sculptors to amateurs, experimented with etching, an accessible form of printmaking akin to drawing. In a period when ...
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Incomparable masterpieces of Netherlandish drawing from the collection of Vienna's Albertina The entire artistic spectrum is opened up page by page: landscapes, seascapes, topographical views, portraits, rural genre scenes, and still lifes The Albertina owns ...
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Hieronymus Cock (1518-1570) was an Antwerp painter and printmaker. Together with his wife, he was one of the first to establish a publishing house for prints. From 1548 their firm "At the Sign of the ...
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Né Pierre-Jean Mariette 1694 a grandi avec les collections créées par son grand-père, Pierre Mariette, un marchand de copies, et son père Jean Mariette, qui imprime aussi. Si en tant que graveur n'a pas été ...
pvp.625.0 €