This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a fresh, new interpretation of the birth of modern art.
Serge Lemoine, curator of the exhibition and Director of the Musée d'Orsay, proposes that 'modern art does not descend, as is commonly thought, from Manet and Impressionism, but from ... the French painter Pierre Puvis de Chavannes (1824-1898)'.
The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Panthéon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cézanne, as well as on later generations of artists. Equally indebted to de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives.
This volume features detailed scholarly contributions analysing Puvis de Chavannes's work and all his affiliations, as well as offering rich critical and documentary data on his many notable disciples.
Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity.publiarq.com