RECEPTIONS OF ANTIQUITY, CONSTRUCTIONS OF GENDER IN EUROPEAN ART, 1300-1600

The use Chaucer made of costume rhetoric, and its function within his body of works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, ...

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Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished ...

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Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These ...

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Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs-these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from ...

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Medieval stairs, galleries and upper chambers in cathedrals, abbeys, and parish churches have been an enduring source of fascination to historians and archaeologists since the eighteenth century, but their practical purposes have long been shrouded ...

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Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary ...

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Como su propio nombre indica, "Del construir" se centra en el mundo de la arquitectura, de la producción de las obras, de quienes las concibieron y realizaron, de las técnicas usadas, de los materiales empleados. ...

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The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, ...

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Estudio histórico, formal, iconográfico e iconológico del altar relicario del Monasterio de Piedra, una de las joyas más importantes del arte gótico y mudéjar de España, conservado desde 1851 en la Real Academia de la ...

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