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POSTSOCIALIST CINEMA IN POST-MAO CHINA : THE CULTURAL REVOLUTION AFTER THE CULTURAL REVOLUTION

POSTSOCIALIST CINEMA IN POST-MAO CHINA : THE CULTURAL REVOLUTION AFTER THE CULTURAL REVOLUTION

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  • ISBN:978-0-415-94786-2
  • EAN:9780415947862
  • Editorial: ROUTLEDGE
  • Fecha de la edición:
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  • Encuadernación:CARTONE
  • Nº Pág.:352
  • Idiomas:INGLES

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This dissertation seeks to determine whether the cycle of films produced after the fall of the 'Gang of Four' in the People's Republic of China in 1976, and representing events during the Cultural Revolution decade of 1966-1976, constitutes a major break with the classical mainland Chinese cinema that had been dominant in that country after 1949. It is widely acknowledged in scholarship about China that Chinese society and culture now is qualitatively different from the heyday of socialism, both in terms of a decline in central control and loss of faith in the socialist vision. This dissertation understands this new culture as postsocialist, and therefore asks if these films constitute the earliest sustained manifestations of postsocialist cinema. Contents: 1. Introduction: Toward a Postsocialist Cinema? 2. Writing on Blank Paper: The Classical Cinema before 1976 as a Didactic Paradigm 3. Entering Forbidden Zones and Exposing Wounds: Rewriting Socialist History 4. Postsocialism and the Decline of the Hero 5. A Family Affair: Separation and Subjectivity 6. Ending it all: Bitter Love Filmography Bibliography Appendices

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