On Colour and Light, Chloë N. Duckworth and Anne E. Sassin ; Symbolic Use of Colour in Easter Island (Rapa Nui) in its Polynesian Context, David Govantes-Edwards ; The Colourful World of Metal Invention in the 5th Millennium BCE Balkans, Miljana Radivojevi? ; Late Bronze Age Manipulation of Light and Colour in Metal, Stephanie Aulsebrook ; By the Dawn's Early Light: Colour, Light and Liminality in the Throne Room at Knossos, Katy Soar ; Tripping on the Fantastic Light: Reclaiming the Parthenon Marbles, James Beresford ; Divine Light through Earthly Colours: Mediating Perception in Late Antique Churches, Vladimir Ivanovici ; The Use of Colour in Romanesque Manuscript Illumination, Andreas Petzold ; Light and Colour in Portuguese Romanesque Churches: The Shaping of Space, Jorge Rodrigues ; Gold, Glass and Light: The Franciscan Vision in Representations of the Stigmata, Éowyn Kerr-DiCarlo ; Glints and Colours of Human Inwardness: Bartholomaeus de Bononia's De luce and Contemporary Preaching, Francesca Galli ; Light, the Dominicans and the Cult of St Thomas Aquinas, Anthony McGrath ; Tinted drawing: Translucency, Luminosity and lumen vitae, Sharon Lacey ; From Monochrome to Polychrome in Historical Persian Architecture: A Comparative Study of Light and Spatial Perception in Places of Worship, Maryam Mahvash ; From Texts to Tiles: Sufi Colour Conceptualization in Safavid Persia, Idries Trevathan.
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