What does it mean to be 'Chinese'? This controversial question has sparked off a never-ending process of image-making in Chinese and Chinese-speaking communities throughout the twentieth century. This introduction to Chinese national cinema, written for students by a leading scholar, covers three 'Chinas': mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time.
As well as exploring artistic achievements and ideological debates, Chinese National Cinema also emphases industry research and market analysis. The author concludes that despite the rigid censorship systems and the pressures on film makers, Chinese national cinema has never
Contents:
1. Introduction: National cinema and China 2. Cinema and national traditions, 1905-29 3. Cinema and the nation-people, 1930-49 4. Cinematic reinvention of the national, 1945,78 5. Cinematic revival of the regional, 1945-78 6. Cinema and the nation-state, 1949-78 7. Cinema and national/regional cultures, 1979-89 8. Cinema and the transnational imaginary, 1990-2002
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