This volume published in assocation with the Hornemann Institute, Hildesheim contains the papers presented at an international symposium held by the Hochschule für angewandte Wissenschaft und Kunst Hildesheim/Holzminden/Göttingen (HAWK)Fakultät Erhaltung von Kulturgut. (University of Applied Sciences and Arts Hildesheim/Holzminden/Göttingen, Faculty Preservation of Cultural Heritage)
Contents
Theoretical Principles
Salvador Muñoz Viñas
The artwork that became a symbol of itself: reflections on the theory of modern art conservation
Cornelia Weyer
Media art and the limits of established ethics of restoration
Iwona Szmelter
On a new conceptual framework for the preservation of the heritage of modern art
Michael von der Goltz
Alois Riegl's Denkmalswerte: a decision chart model for modern and contemporary art conservation?
Ursula Schädler-Saub
Conservation of modern and contemporary art: what remains of Cesare Brandi's Teoria del restauro?
Francesca Valentini
Conserving modern and contemporary art: reflections on theory and practice in Italy
Theory and Practice
Isabelle Brajer
Reflections on the fate of modern murals: values that influence treatment - treatments that influence values
Iwona Szmelter
Theory and practice of the preservation of modern and contemporary art: complex tangible and intangible heritage
Andreas Kühne and Lisa Kirch
Some thoughts on the changing presentation and preservation of modern and postmodern art
Ursula Schädler-Saub
From wall paintings to ephemeral installations: the Munich art collectives SPUR, Geflecht and Kollektiv Herzogstrasse
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