The unity of art and life which the reform movements of around 1900 strove to achieve inspired artists to experiment with the design of women's dresses. The artist's dress as a part of the idea of the Gesamtkunstwerk reflects the image of woman in its various facets: as a decorative object, as an artist and as an emancipated business woman. This volume will delight readers with the beauty of the clothes and artworks it shows, which it classifies controversially and under new interdisciplinary perspectives in the period of change at the beginning of the twentieth century - from the German Reform Movement and the Wiener Werkstätte to the English Arts and Crafts Movement and the development of Haute Couture in Paris.