Soutine / de Kooning: Conversations in Paint considers how Soutine's work, with
its built-up surfaces and energetic brushwork, had a decisive impact on the
development of de Kooning's art, especially following Soutine's celebrated
posthumous retrospective at the Museum of Modern Art in 1950. The expressive
force of Soutine's paintings, coupled with his image as a struggling bohemian artist
living in Paris during the interwar years, imparted a particular influence on a new
generation of postwar painters in the United States. In 1977, when asked about the
artists who had most influenced him, de Kooning declared: "I think I would choose
Soutine . . . I've always been crazy about Soutine-all of his paintings." De Kooning,
more than any other artist of his generation, understood the tension between
the opposing poles in Soutine's work: a search for structure with a passionate
connection to art history, and a pronounced tendency toward the formless. De
Kooning was the only abstract expressionist who continued to praise Soutine
throughout his career and to credit him with being important for the development
of his own work.