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The exciting recent rediscovery in Spain of a missing canvas by Pieter Bruegel the Elder (ca. 1525-69) has jolted a revived public awareness of the great Flemish painter and his work. Best known for his amusing depictions of peasants, landscapes, and Bosch-like fantasies, Bruegel also created a wide range of highly original interpretations of religious themes in an era marked by religious controversies. Over a career of two decades as both a printmaker and a painter, he found his artistic niche in Europe's leading center of international trade, the emerging capital of capitalism, Antwerp. All of Bruegel's drawings, prints, and paintings on both canvas and panel - including the new Madrid canvas - are examined for form and content with comprehensive analysis. In addition, interpretation of the full range of Flemish paintings and prints during his generation is presented through the lens of Hieronymus Cock, Bruegel's own print publisher, "At the Sign of the Four Winds". Within this spectrum Bruegel's uniqueness and mastery emerges clearly. While scholars will appreciate the novel insights of this comprehensive re-examination of Pieter Bruegel, its highly accessible text will introduce newcomers and the general public to the delights of this inventive, trenchant, yet often amusing visual commentator on the human condition. All readers will relish the large-scale reproductions and frequent details in full color of his entire oeuvre in all media. This handsome, largescale volume will form the definitive study and accessible introduction to the life and art of Pieter Bruegel.
he Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. ...
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With the creation of the dramatic Supper at Emmaus and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting ...
pvp.58.5 €
Universally recognised as a brilliant and gifted eighteenth-century artist, Zoffany was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. He has remained without ...
pvp.95.33 €
The State Hermitage Museum in St. Petersburg houses a relatively small but choice collection of 16th- to 19th-century British paintings, among them Thomas Gainsborough's vibrant Portrait of "A Lady in Blue" (c. 1770) and his ...
pvp.104.0 €
Ce catalogue accompagne les expositions organisées par les musées des Beaux-Arts d'Orléans et de Tours, en concertation avec la ville de Richelieu, et se veut un ouvrage de référence consacré aux collections du cardinal de ...
pvp.51.25 €
The role of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame - a text, for instance, which is to serve as a ...
pvp.70.29 €
El Volumen II de este catálogo de la obra de Zurbarán se ocupa de los numerosos conjuntos que, aún saliendo de la mano del pintor, tuvieron una importante y frecuente intervención de su taller. La ...
pvp.135.0 €
Ford Madox Brown (1821-1893) is known predominantly for his close association, from 1848, with the Pre-Raphaelite Brotherhood and for his masterpiece, The Last of England (1852-5), with its poignant imagery of a young emigrant couple ...
pvp.174.39 €
The Later Stuarts spanned the reigns of monarchs James II, William and Mary and Queen Anne. It was a period in which Britain was newly established as a major European power, and which encompassed outstanding ...
pvp.149.5 €