American artists in the early decades of the twentieth century found rich inspiration in vaudeville halls, revue theaters, and moving-picture houses.publiarq.com
The spectacular new visual attractions in these venues, emerging partly as a result of such technological advances as electrical lighting of the stage and the invention of motion pictures, emboldened artists to translate the arresting stimuli to their own medium. This handsomely illustrated book is the first devoted to American artists' responses to film, popular theater, and other urban amusements from 1890 to 1930.
The book presents more than 100 paintings, drawings, watercolors, and photographs that convey the highly charged experience of attending vaudeville, early moving-picture shows, and other forms of popular amusements. These works of art reveal much about the beginnings of
modernity in the United States and about how artists in early twentieth-century America searched for new pictorial vocabularies to express the profound change and dynamism of their time. The contributors to the volume represent a wide variety of expertise from art history to film to theater and they examine works by such key artists as Charles Demuth, Edward Hopper, Walt Kuhn, Everett Shinn, and John Sloan, each of whom found a different formal and stylistic means to portray popular entertainment and, along the way, what it meant to be modern.
This is the catalogue for an exhibition on view at the Frederick R. Weisman Art Museum, University of Minnesota, from April 27 to August 4, 2002. It then will travel to the Montclair Art Museum, New Jersey, from September 15, 2002 to January 5, 2003, and the Pennsylvania Academy of Arts, Philadelphia, from February 22 to May 18, 2003.publiarq.com
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