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Jean Paul Riopelle (1923-2002) was one of the most important Canadian artists of the twentieth century, yet he is relatively unknown in the U.S. He began his career in Montreal in the 1940s, where he played a role in the influential Automatist movement, and established his reputation in the burgeoning art scene of postwar Paris, where his circle included André Breton, Samuel Beckett, and Sam Francis. During his career, Riopelle produced over six thousand works, including more than two thousand paintings.
This volume, the second in the Artist's Materials series, grew out of a research project of the Canadian Conservation Institute. Initial chapters present an overview of Riopelle's life and situate his work within the context of twentieth century art. Subsequent chapters address Riopelle's materials and techniques, focusing on his oil paintings and mixed media works, and on conservation issues. The preface is by Yseult Riopelle, the artist's eldest daughter and editor of his catalogue raisonné. This first book-length study of the artist in English will interest curators, conservators, conservation scientists, and general readers.
SUBTITULO COMPLETO: PATRIMONIO ARTÍSTICO, CIENTÍFICO-TÉCNICO, ARQUEOLOGÍA, PATRIMONIO HISTÓRICO MILITAR, ETNOGRÁFICO Y ARTES DECORATIVAS Estudio de Técnicas Documentales le informa que, con la intención de ofrecer una obra a menor costo al cliente, sin alterar el ...
pvp.156.0 €
An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition ...
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Este es el segundo título, de los tres publicados por la Universidad Autónoma de Madrid (Dpto. de Prehistoria), de la serie Tecnología y Conservación del Patrimonio Arqueologico, con el ánimo de cubrir el espacio, y ...
pvp.40.0 €
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new and expanded edition of his groundbreaking 1998 ...
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This fourth volume in the Readings in Conservation series aims to promote critical thinking about the concepts and practices of textile conservation and to encourage engagement with new issues. Recognizing conservation as a dynamic social ...
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This is the English language edition of El Poder de los Colores by Gabriela Siracusano, published by Fondo de Cultura Economica, Buenos Aires 2005 - the result of a study of cultural practices related to ...
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This is the first compendium for conservation professionals involved in the preservation of paper artifacts in archives, libraries and fine art museums around the world. The global team of expert authors explain the principal interactions ...
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The papers in this volume constitute a substantial body of work that provides a wide-ranging overview of current research on the technology and practice of old master paintings, covering some 700 years of European painting, ...
pvp.123.26 €
IPCI-Canada in association with Archetype, has 140 articles, 1200 pages, and over 1200 illustrations and will be an invaluable resource for both conservators and craftspeople. The outcome of a rigorous selection process by an editorial ...
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As documents of the built environment, as source material for architectural historians and preservation architects, and as stunning works of art, architectural drawings serve a wide and diverse audience. This book explores the materials and ...
pvp.140.0 €