Introduction: French Colonial Documentary
Tupi or Not Tupi: Natural Man and the Ideology of French Colonial Documentary
Mythologies of the Tirailleurs Senegalais: Cinema, Shell Shock, and French Colonial Psychiatry
The Trans-Saharan Crossing Films: Colonial Cinematic Projections of the French Automobile
Diagnosing Invisible Agents: Between the Microbiological and the Geographic
Infiltrate the Crowd With an Ideal Colonial Educational Cinema and the Threat of Imitative Contagion
Humanitarian Visions and Colonial Imperatives: Felix-Louis Regnault, Albert Kahn, and Henri Bergson as Semiophore-Men
Conclusion: The French Colonial Media Apparatus: Natural Man and the Dialectics of Americanization
Acknowledgments
Archives and Film and Media References
Notes
Index