
Inicio / Libros / DUTCH AND FLEMISH PORTRAITS 1600-1800 Vol.1 "OLD MASTERS' ...
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The collection of Dutch Old Master paintings in the Szépm?vészeti Múzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonné series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterházy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Károly Pulszky, Gabriel Térey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.
he Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. ...
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With the creation of the dramatic Supper at Emmaus and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting ...
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Universally recognised as a brilliant and gifted eighteenth-century artist, Zoffany was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. He has remained without ...
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The State Hermitage Museum in St. Petersburg houses a relatively small but choice collection of 16th- to 19th-century British paintings, among them Thomas Gainsborough's vibrant Portrait of "A Lady in Blue" (c. 1770) and his ...
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Ce catalogue accompagne les expositions organisées par les musées des Beaux-Arts d'Orléans et de Tours, en concertation avec la ville de Richelieu, et se veut un ouvrage de référence consacré aux collections du cardinal de ...
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The role of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame - a text, for instance, which is to serve as a ...
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El Volumen II de este catálogo de la obra de Zurbarán se ocupa de los numerosos conjuntos que, aún saliendo de la mano del pintor, tuvieron una importante y frecuente intervención de su taller. La ...
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Ford Madox Brown (1821-1893) is known predominantly for his close association, from 1848, with the Pre-Raphaelite Brotherhood and for his masterpiece, The Last of England (1852-5), with its poignant imagery of a young emigrant couple ...
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The Later Stuarts spanned the reigns of monarchs James II, William and Mary and Queen Anne. It was a period in which Britain was newly established as a major European power, and which encompassed outstanding ...
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