This important and long-awaited book offers first overview of all British-led excavation sites in and around Rome in the Golden Age of the Grand Tour in the eighteenth century. Based on work carried out by the late Ilaria Bignamini, the authors have undertaken the monumental task of tracing sculptures and other works of art that are currently in public collections around the world from their original find sites via the dealers and entrepreneurs to the private collectors in Britain. In the first of two extensively illustrated volumes, approximately fifty sites, each located by maps, are analysed in historical and topographical detail, supported by fifty newly written and researched biographies of the major names in the Anglo-Italian world of dealing and collecting. Essays by Bignamini and Hornsby introduce the field of study and elucidate the complex bureaucracy of the relevant departments of the Papal courts. The second volume of the books is a collection of hundreds of letters from the dealers and excavators abroad to collectors in England, offering a rich source of information about all aspects of the art market at the time. The book is an invaluable resource for scholars working in a rapidly expanding area where European art and cultural history meets archaeology.
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