This exhibition tells the story of one of the most remarkable artistic enterprises of the 17th century: David Teniers' publication in 1660 of the Theatrum Pictorium or 'Theatre of Painting', the first illustrated printed catalogue of a major paintings collection. With loans from the Museo del Prado, the Royal Collection, the National Gallery of Ireland, Glasgow Museums and the British Library, the exhibition will give an in-depth account of this influential project which provided the foundations for the modern catalogue and documented one of the greatest princely collections ever assembled.
David Teniers the Younger (1610-90) was already a successful painter when in 1651 he was appointed court artist to the Governor of the Southern Netherlands (comprising most of modern Belgium). His new patron was the Hapsburg Archduke Leopold Wilhelm, cousin of King Philip IV of Spain. During the single decade of his governorship (1646-56) Leopold Wilhelm formed one of the greatest art collections of his age, and Teniers effectively became its curator. Leopold Wilhelm's collection came to number approximately 1,300 works, including paintings by Holbein, Pieter Bruegel the Elder, Van Eyck, Raphael, Giorgione, Veronese and more than 15 works by Titian. This exceptional accumulation of masterpieces now forms the heart of Vienna's Kunsthistorisches Museum.