Since it was established by Riek Bakker and Ank Bleeker in 1977, the Bakker & Bleeker bureau (operating as Bureau B+B since 1990) has functioned as a laboratory for the prof essional community. Designers such as Winy Maas. Adriaan Geuze and Michael van Gessel have worked there and the office was an incubator for design practices such as West 8, Karres en Brands and Rietveld Landscape. The development of Bureau B+B coincides to a large extent with the emancipation of Dutch post-war Iandscape architecture and urbanism. SeIf-assured and autonomous, the bureau reintroduced design to the city, from an unexpected angle. It soon ranked among the world's best, thanks among other things to its design for the Parc de la Villette in Paris (1982), a commission won ex aequo with designers such as Rem Koolhaas and Bernard Tschumi. The bureau has always been interdisciplinary, employing landscape architects, urban planners, architects, land development experts and industrial designers.
In Bureau B+B Urbanism and Landscape Architecture the bureau is positioned in the extended mes of the discipline and due attention is paid to masters such as Fred Zandvoort and Hans Warnau. What are the bureau's core qualities and what parallels are there with topical themes in landscape architecture? A generous selection from its 1,500 projects, including the Dutch Pavilion for the World Expo 2000 in Hanover, the Waldpark in Potsdam, the Wollefoppenpark in Rotterdam, Amsterdam's lJburg expansion district, alI find a place in the book, in essays about topics such as competitions, drafting techniques, the use of plants and visual art.
B+B is analytical, interdisciplinary, alienatinq, craftsmanlike and opinion-shaping - qualities which have ensured that, since 1978, international landscape architecture has beenjointly shaped by and within this bureau.
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