The book presents the fi rst comprehensive study of Soviet monumental mosaics, outstanding artifacts of the cultural heritage of the era. Photographer Yevgen Nikiforov spent three years traveling all around Ukraine (including the presently occupied Autonomous Republic of Crimea, Donetsk and Lugansk oblasts) in search of the most interesting art pieces of the 1950s-1980s within the context of Soviet Modernism. He covered 35,000"km of Ukrainian roads and visited 109 cities
and villages to discover more than 1,000"surviving mosaics. The book includes approximately 200 unique photo graphs of monumental panels: offi cially sanctioned gigantic images of workers, farmers, astronauts and athletes of colored smalto or ceramics illustrate Soviet life as it was meant to be represented, drawing paral lels to the over arching themes inherent within a more widely known Soviet archi tectural project,namely the Moscow metro. Some of the pieces featured here
were demolished shortly after the photographs were taken: they fell afoul of the so-called decom munization laws that ban communist symbols and slogans. Though the content of Soviet art was meticulously controlled by state propaganda, Ukrainian artists managed to develop a visual language that transcends the Socialist Realist canon. Today these works serve as historical testi mony, and show a new important page in 20th-century art history.
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